Navigating the local music scene can be hard to do for the completely uninitiated.
There are dozens of bands in Grand Junction that go unheard by the masses simply because it’s hard to get face time with everyday folks.
Sure, there are a core group of fans who make it out to every show, but it’s nearly impossible for local musicians to penetrate beyond that dedicated demographic.
Generally speaking, the only opportunities for local bands to play live are at bars late into the night at 21-and-over venues. All area venues are fine spots to catch a local band, however, I understand why most people miss those shows.
Local shows start late, usually around 10 p.m., and for this area, that is a tough sell.
For many, the idea of working a long week then waiting around all evening just to stand shoulder to shoulder with an obnoxious drunk for a night of live music is not an appealing option.
This is a city of weekend warriors, who frankly would rather spend their free time bombing down a trail on a mountain bike or wading through a cold river to cast a fly to hungry fish than shuffle up and down Main Street in the dead of night to catch an unknown local band.
In Grand Junction, music is not a priority, at least, not in the wanting to catch a late night live show kind of way.
I’ve been on both sides of the coin as a fan and as a musician, and playing late night shows are not ideal for anyone.
The situation is just as annoying for a musician as it is for the audience.
For a musician, a 10 p.m. start time really means getting to the venue three hours early to set up the gear and sound check. Once that’s completed its two and a half hours of dead time usually wasted nervously sipping beer, chain smoking cigarettes, and hoping to God that someone, anyone, will show up to the gig.
Outside of hanging around bars and talking to musicians face-to-face, there’s not really a completely reliable, trusted source for local music in Grand Junction.
An opportunity exists for someone to come along and connect fans and musicians in a more convenient way. I think this is a music town, we just need to rethink how to get local musicians in front of more music fans.
I’ve been a big believer that a local music showcase is a key step toward bridging that gap. Thankfully, it looks like a true local showcase is finally happening.
The official grand opening of The Local, a new mixed-use space on Main Street, features a two-day music festival event with 15 local musicians performing on Feb. 13–14.
All the usual suspects are lined up to play including Zolopht and the Destroyers, Shea Bramer, Tight Thump and local super group Toaster, featuring vocalist Jamie Gaines, guitarist Kellen Michael, bassist Steve Williams and drummer Steve McGarry.
What’s immediately appealing about this music festival is that at least part of the event is for all ages and takes place before 10 p.m.
With two major barriers preventing people from catching a local show removed, this is a real chance for local bands to play for new crowds.
It doesn’t take much to convert someone into a local music fan, the hardest part is providing the opportunity for that conversion to take place. The Local has taken care of that.
It’s now up to the bands to do their part.
Ideally, someone will see a band such as Toaster play, they will fall in love and be motivated to check out Toaster’s next show. And maybe at that next show these new fans will have a great time and decide to try a similar event out, like the weekly Funk Jam. Maybe they put a sticker on their car bumper or, better yet, buy a local band’s album.
The point is, once someone finds an in to the local scene, they become vested in what is happening in their community and more likely to actively participate.
It makes sense that The Local provides this access point for musicians and fans. As the name implies, local products just happen to be its specialty. Now that the space is provided, we’ll see if the community takes advantage of it.
Katy Perry’s Super Bowl half time show was incredible. She came out riding on a gigantic robotic lion for God’s sake. Her show was one of the best in recent memory, but how does it stack up against the all time great half time shows? Here are my five favorite Super Bowl half time shows of all time.
Playing tonight at Sabrosa is Rubedo, a transgresive rock trio from Denver. Local acts Shotgun Hodown and new duo Richard & Lloyd open. According to the band, Rubedo is the audible manifestation of life streaming through psyche of its members. This is alchemy by means of transgressive synth rock. The band has appeared on Colorado Public Radio's Open Air and makes its Grand Junction debut tonight.
Also tonight at Barons, help Talya, front woman for We Speak Imaginese, celebrate her birthday with a bash to remember! Special guest Eric Stucky from Montrose opens the show at 10 p.m.
Denver based bands Rossonian and The Raven and the Writing Desk swing through Grand Junction tomorrow night (Jan. 31) to play at Barons. For Rossonian, this marks the second time they've played Grand Junction. They previously played a KAFM Radio Room concert last summer with Flashbulb Fires and Dreamboat.
This is an all ages show, $3 at the door.
Local DJs Selector Trev, Dusty Thunders, and Strangefellow play the Winter White Party at Charlie Dwellingtons tomorrow (Jan. 31). Music starts at 10 p.m. and there is a $5 cover charge.
Currently playing around town as Selector Trev, Adams has committed his life to music in the same way that many people commit their lives to a religion or a sports team. For him, music is not a hobby, it is a fundamental reason for being.
“My relationship with music, whether playing drums, singing, shopping in a record store, going to shows, dancing, or listening to recordings, has always been powerful and important to me. It’s definitely the most important thing in my life, after my relationships with the people I love,” Adams says.
For someone who’s spent his life in the music industry, doing everything from barbershop choruses to music theater, you could say his dedication to music started nearly 30 years ago with a family visit from his cousin Chris.
Armed with a mix tape filled with songs recorded off a radio broadcast and a rap’s greatest hits collection featuring early pioneers Run DMC, Fat Boys and Salt-N-Pepa, his cousin unknowingly set Adams on a course that would change his life.
“Being raised Christian, and going to Christian school, we didn’t listen to much other than the local Christian radio station in our house,” Adams said.
Other than the “American Graffiti” soundtrack, which his dad would play from time to time, there wasn’t much interaction with secular music during his youth.
His introduction to rap music not only was his first experience with modern music, it was a glimpse into a much bigger world.
“The way rap music influenced me most was that I became interested in beats and rhythms. Rap is so much about the drums that I just had to learn to play drums myself. And once I found out that girls wanted to dance with guys who could dance, I watched rap videos (MC Hammer, Kid ‘n Play, Young MC) to learn to do the cool moves like the Running Man.”
Learning to play drums led Adams to the indie rock world not only in Grand Junction — he played in early indie bands The Loveletter Band and Jones Adams Duo and later with Dreamboat — but across the Pacific Northwest. Working as a musician in Portland, Oregon, and Bellingham, Washington, Adams plugged into the burgeoning indie rock scene, befriending a number of musicians, including Ben Gibbard of the band Death Cab for Cutie and electronic group Postal Service.
Adams’ love for rhythm eventually led him to his current profession as a club DJ, or as he prefers, a selector.
“I love to go out dancing. It’s the main reason I DJ. I kept finding myself at a bar, wanting to have a fun night dancing, and being disappointed that the DJ was playing instrumental electronic music all night long. I want to hear a variety of genres, styles, rhythms, tempos and beats throughout the night. I think that a lot of people feel the same way,” he says.
As Adams has grown into his role as a selector, he’s doing something that few other DJs in town can or are willing to do.
Known loosely as “the guy who DJs but doesn’t really DJ,” Adams pays homage to great pop tunes across all decades and genres in his setlists. He is a punk rock DJ running counter culture to everyone else.
While most other DJs are busy beatmatching between one subgenre of EDM, Adams’ appreciation of both the past and the present shines through at his shows. Only at a Selector Trev gig could you hear Bobby Brown next to the Kinks, INXS next to LL Cool J.
“Everything I’ve done with music has been about love rather than commerce,” he says. “I feel like the whole point of DJing is to make people happy. If I play music they love and that makes them dance, and dancing makes them feel good, then it’s been a successful night.”
A lifetime of living and breathing music, Adams’ passion is infectious to anyone who is lucky enough to meet him or attend one of his shows. He earns my respect every day and every night just by being himself and living true to his life’s passion.
If you think that all pop music sounds the same, wait until you see this year's summer festival lineups. As more and more lineups are released to the public, the lack of diversity between major events is disturbing. Not so long ago each festival used to have its own regional vibe, now everything is essentially the same. Case in point, take a look at the graph Spin Magazine put together. It illustrates just how much crossover there is between Bonnaroo, Coachella, and The Governors Ball music festivals. Conclusion? It's a good time to be a fan of Florence and the Machine.